Hancher’s project, Embracing Complexity, will take a multidisciplinary approach to building understanding of contemporary Islamic cultures and Muslim identity. Artists will be in residence at various times over the course of two years and will work with partners both on and off campus on a broad range of activities including performances, classes, exhibits, discussions, and lectures. The project will also document and explore the experiences of Muslims in Eastern Iowa through sharing of local stories and oral histories.
Our goal is to build textured knowledge of Islamic cultures, while creating a greater sense of empathy for the experiences of peoples of diverse racial, ethnic, and religious backgrounds. We believe this is an urgent program at this moment.
This project is made possible in part by a grant from the Association of Performing Arts Professionals – Building Bridges: Arts, Culture, and Identity, a component of the Doris Duke Charitable Foundation and Doris Duke Foundation for Islamic Art.
Embracing Complexity
A self-described “social justice comedian,” Negin Farsad has been named one of the 10 Best Feminist Comedians by Paper magazine and one of the 50 Funniest Women by Huffington Post. She is also the writer, director, and star of the romantic comedy 3rd Street Blackout.
Drawing from the wellspring of their lived experiences as Muslims, artists, and more, three spoken word poets and storytellers will present an evening of powerful and deeply felt work.
Born in Baghdad, Rahim AlHaj is a master of the oud—a stringed instrument with a history unfurling back 5,000 years. AlHaj and the Kontras Quartet with Christopher Polen (bass) will play his composition created from the text of actual letters of Iraqis living in their war-torn country.
“Soul crosses all cultural and linguistic barriers,” says Alsarah, whose astounding vocals were central to The Nile Project, which Hancher presented in 2015. Now, she returns with her new band to perform music she calls East African retro-pop.
Syrian clarinetist Kinan Azmeh bridges cultures, musical styles, and ideas. The CityBand quartet includes guitar, bass, and percussion and explores jazz, classical music, and traditional music of Syria.
The band’s name means “give-take.” The band’s members call the mix of influences “ethno-chaos.” The band’s voice is singular. Built on a base of Ukrainian folk music, the sound of DakhaBraka is equal parts old and new—a punk take on established traditions stirred together with a world of grooves.
Created by Hamid Rahmanian, a Guggenheim fellowship-winning filmmaker and visual artist, Feathers of Fire is an ambitious shadow play recounting the fates of star-crossed lovers.
A trumpeter, santur player, vocalist, and composer, ElSaffar is steeped in classical and jazz traditions while also bringing the microtones and ornaments idiomatic to Arabic music into play. His band, Rivers of Sound, features 17 musicians who blend eastern and western music.
In fiction, nonfiction, and comics, G. Willow Wilson has distinguished herself as a writer of remarkable originality and insight. In her lecture, Wilson uses the challenges Ms. Marvel—a Pakistani-American Muslim teenager—faces as a parallel for the challenges of a misunderstood generation.
The Fourth Light Project is a multimedia experience, combining live music and sacred dance (a dervish) with advanced projection techniques. The Fourth Light Project focuses on the life and work of Rabia al-Basri, an eighth-century Muslim saint and the first female Sufi mystic.